Welcome to English

 

 

Dave Eggers photo courtesy:  The Play Voice

Catfish and Mandala photo courtesy: 

The Globe Corner Bookstores


Syllabus

Student Profiles

Class Portfolio

Discussion Board

Class Blog

Andrew X. Pham photo courtesy: www.Metroactive.com


 

 

Links to final presentations not posted in portfolio or on blogs.

Renee_Honeymoon and Cuban Refugees

Lance_Metropolitan State Hospital

Jackie_Cosplay

Zu_Bicycling Rules

 

The Writing Proficiency Requirement

If you plan to submit your researched creative essay for the Writing Proficieny Portfolio, I would like to meet with you to go over the essay from the perspective of what's needed for the WPR. Conferences to discuss papers for the WPR will be held in my office, W-6-29, beyond room 47 where we've been meeting, around the corner to the right, the 4th door on the left. There are times available on Wed. am before 11 and pm after 3:30.

To sign up for the Writing Proficiency Exam or Portfolio, go to the Writing Proficiency Requirement website. Click on June 2006 WPE registration. If you are taking the exam, click on the reading set you prefer, noting the time of the exam for that set.   If you are submitting a portfolio, click on the Portfolio reading set. 

An email window will come up.  Type your name and your student ID (UMS. . . .) in the message and send it.  You will receive a user name and password that will allow you access to the reading set you have chosen.

Exams are June 5 and 6.  The portfolio, with certified essays and a new essay on the reading set, is due on June 5 by 5pm at the Writing Proficiency Office (CC 2/2100).

5/11  A final set of fantastic presentations!  Thank you all for the outstanding work you've done this semester, the contributions you've made to our classroom community, the respect you've shown each other, your willingness to take risks in sharing your work, and, overall, for being such a wonderful class. Please keep in touch with me and with each other. 

A few notes on final requirements and other information:

Please post any outstanding work by Tuesday, 5/16.  I expect everyone to post the following:

  • the final version of the research paper (#15), 
  • your reflection on your final project, on the choices you made in reshaping your writing to a new medium (#16),
  • your responses to others' final presentations (6 in total), either directly on their blogs, as a comment on their posted reflections, or as #18-24 in the class portfolio. 
  • If your final presentation was an oral performance, please post the text for it on your blog or as #17.  If it was a blog or other media presentation but isn't linked to our website, please send the file (for PowerPoints) or blog URL or other link so that I can link it in.

Don't worry if these numbers are off from what you've used.  I'll review each individual portfolio and figure out what #s you've used for these final postings.

Save the URL for this course (you can bookmark it in your favorites).  It will always be accessible if you know the URL, but it will be disconnected from English course page by the end of this month.

As I explained in class, I will continue to use this website for demonstrations to other faculty. It won't be linked in to any access point, so outsiders to UMB are very unlikely to find it. But you may delete any postings you wish at any time after May 26 by entering the writing room and going to your list of assignments.  I will assume that I have your permission to show what remains posted (although our focus will be on how the website works, not on individual students' writing).

5/9  Thanks to all of today's presenters for another great set of presentations.  And Bravo to Matt, for daring to perform for the first time since 8th grade. 

5/4  Thanks to today's presenters for very effective and engaging presentations, and for going first.

 

5/4, 5/9, 5/11   Presentations with adaptation of work to new medium, discussion/reflection on changes. 

Post your reflection on how you've adapted your work to the medium you've chosen and your experience of presenting it as #16 in your portfolio on our class website, immediately after your presentation.

Post comments on two performances/reflections from each day of presentation (6 in all) as responses to #16 (or as 17-20 in your own portfolio, with the presenter's name in the assignment title).

Link to final project guidelines

5/2  Meet in the White Lab, Healey 3 09A (to left of desk) to work on final presentations.  

Remaining meetings ( 5/4, 5/9, 5/11) in W-6-47.

4/27  Meet in classroom.  You'll write briefly about your plan for a final project plan and we'll invite class members to show interesting blogs you've found and linked to and listen to one or two radio episodes you've found interesting.

 

4/25   Meet in W-6-47.

Our lunch is on.  But only 1 type of drink could be ordered, and since the most popular choice was juice, we'll be getting various juices.  If you need to have water, coffee, or soda instead, please bring it. 

4/18 

If you missed class today, look on the resources page to see information about blogging and some sample blogs. Today's task in the lab was to open a Blogger account, create a blog, and send me the blog name and url to post on the class blog that's now on our homepage.  See my quick guide to starting a blog on blogger.  Then look around at some of the sample blogs posted as links and search in Blogger or in Bloogz for other blogs on topics that interest you, getting a sense of formats and approaches that you like, and posting links on your blog to others that you find worth connecting to.

On Thursday, we'll discuss a selection from Capote's In Cold Blood as an early example of literary journalism and then a selection from Baghdad Burning as a contemporary blog example of "literary reportage."  Both are on electronic reserves.

 

4/13  Meeting in Gold Lab, Healey UL, on Tuesday, April 18. 

Full version of researched creative essay with Works Cited page is due.  Link to EasyBib.com for automatic formatting is on resources page.

4/11  Some of you plan to use a paper from this course to submit for a writing proficiciency requirement portfolio. 

Here are my ideas about how to shape an appropriate paper

Here are links to the Writing Proficiency Requirement and Writing Proficiency Portfolio pages..

In class peer review of rough drafts for the researched creative essay on Thursday! Please bring 2 copies for your readers to work with.  This can be work in progress, but it should be a significant part of your essay.

The handout for today's work with assignment #14 is posted on our assignments page.

Some of you haven't yet posted responses to research proposals and vignettes.  A response to #14 isn't required (Joanna and I will respond) but feel free to respond to any of your classmates' postings.

4/10  Meet in Gold Lab, Healey UL on Tuesday.  We'll focuson finding and evaluating websites.

Continuing your research: 

With library databases--

Go into Databases and Indexes under electronic resources on the library homepage. The URL is  http://www.lib.umb.edu/databases/index.cfm   The Expanded Academic Index is a good one to start with.  You will need the 10 digit number of your library bar code from the back of your student ID to enter a database from off campus.

Find several peer reviewed articles. You can check off that category and start with a key word search.

IN ADDITION to peer reviewed articles, you may draw on other sources in popular magazines, newspaers, etc.  You can find these by unchecking peer review. 

There are also newspaper databases for the Boston Globe, Boston Herald, and New York Times.

4/6 I've now posted one of my own attempts at a 5 page researched creative essay as #15 in my personal profile.

4/6  Unit 2 grades. Your grade for the unit 2 creative essay assumes that you will make the changes that Joanna and I have suggested (if we emailed specific suggestions to you) and then repost.  You must do so to receive the full grade.   

You can delete postings by clicking on list assignments in the writing room and then deleting whatever you plan to replace.  For a revised unit 2 essay, put "r" at the end of the title, so we'll know that you submitted a revised version.

If you missed class you need to know:

We'll meet in the Gold lab, Healey UL on Tuesday.

I passed out updated grade sheets.  If you're missing major essays/revisions for Unit 2, you need to get them to me right away if you want credit.

If you haven't posted #12, your research proposal, or #13, a vignette combining a personal or creative stance with information from an academic article you found through an academic database, please be sure to do so by Sunday, so that we can respond before Tuesday's class.

4/4  Thanks for helpful comments today on each others' research projects.  The full schedule for that project is now posted on our assignments page, with a few more details and a couple of corrections.  

We'll work on the website review as an in-class activity at the Gold Lab, Healey UL, on Tuesday, 4/11.

The peer review date for the full draft is Thursday 4/13. 

I'll ask you to make changes and submit an updated version of that draft by 4/18 for our comments. 

The very final version won't be due until 5/2 (although we'll begin our final unit on 4/18). 

We'll try to catch up on all of our undiscussed readings on Thursday, 4/6, so please bring your books.  That includes

Terry Tempest Williams, “Prayer Dogs” (IF)

John Edgar Wideman, “Looking at Emmett Till (IF)”

Ruthann Dobson, “Notes from a Difficult Case” (IF) 

Brian Doyle "Being Brians" (IF)

If there's time, I'd also like to look at a chapter from my book, Language and Literacy, that's now on electronic reserves, so it would be helpful if you could print it and bring it.  The Gilyard book that's listed for week 10 isn't available, and I think we'll skip "Chimera."

Our focus will be on how these writers integrate the information they've found from research with their personal stance and/or creative approach to their topic.

3/28  A nice wrap up discussion on Catfish today.  Thanks to all of you for your thoughtful comments about particular chapters over our last few classes!

Remember that we'll meet in the Center for Library Instruction, 4th floor, Healey, on Thursday.  We'll work with a couple of databases and you'll begin to find articles on the topic you're researching--background to go with something you want to explore from a personal stance (perhaps to integrate into an essay you've already been working on).

Before our meeting, please post your own project idea (#12)--we're skipping 11--and respond to the postings of a couple of classmates.

Here's what we didn't get to talk about today:  Some examples of how research has been integrated into our readings:

 

Andrew Pham, in Chapter 29, pages 228-29, works background information about Ho Chi Minh (the leader of the North Vietnamese who led the struggle against the French colonial occupation and then against the American and South Vietnamese forces) into his visit to view “Uncle Ho’s” preserved body.  He had to find out this information, which he wouldn’t have known in such detail, and he could have included it in a number of places, but he places it against his own reaction at this memorial site.  He doesn’t name his sources.

 

Floyd Skoot, in “Gray Area,”  draws on the work of a number of researchers into the mind and brain, using their scientific language and descriptions to explore his own everyday experience and vice versa. He names his sources as he cites them.

 

John Edgar Wideman, in “Looking at Emmett Till,” recalls his own memories as a young black boy of reading about Emmett Till’s murder.  Along the way he includes historical background about the slave trade, the Supreme Court’s Brown v. Board of Education decision against school desegregation, and specific information from the testimony of Emmett Till’s cousin and of others who were witnesses or participants.  On p. 41 he cleverly works in a list of his sources, discussing a conversation he had with a girlfriend who “wants to know where I heard the cousin’s version.” 

 

Ruthann Robson, in “Notes from a Difficult Case,” about trying to decide whether to sue for malpractice because of the inappropriate treatment she received for cancer, draws on medical sources, such as oncology textbooks and her own medical records, as well various studies about medical malpractice law and what makes people decide to sue, interweaving all of this with her own thinking and decision-making.  She doesn’t name her sources but refers repeatedly to “a study,”  “some studies” (which I actually found annoying). 

 

Terry Tempest Williams, in “Prayer Dogs,” interweaves information about the prairie dog population, historical encounters, and a particular episode of prairie dog slaughter with an account of her own encounters with prairie dogs.  She names some of her sources (such as Lewis and Clark in 1804), but doesn’t in other places (“a study”).

 

Like these writers, you’ll work information that you gather from various sources into your own creative essay on something that you want to pursue in a personal way.  Unlike some of them, you’ll name your sources and give page references where you include specific information from them.

A schedule for the work associated with this paper will be posted on the assignments page.

3/27  I'm back from my conference.  I'm sorry I had to miss last Thursday's class. Thank you to Joanna for filling in.  I understand that we should plan to finish our discussion of Catfish tomorrow before we move on.  I still hope to be able to take a quick look at the readings listed for tomorrow on the Week 9 assignment sheet. 

On Thursday, 3/29,we'll be meeting in the Center for Library Instruction, 4th floor, Healey Library.

3/9  Have a great Spring Break!   If you're going somewhere, take Catfish along. 

The assignment sheet through 3/23 is posted.

3/8 Thanks to Zu and to Matt, Katie P, and Kushelia for letting us discuss their drafts in class.   I've emailed a few comments on last Thursday's drafts to members of the other groups.  Revisions are due tomorrow.  The grading rubric is posted on the assignments page.  We'll return to our discussion of the first part of Catfish and Mandala.

2/28  The assignment sheet for this week and the groups and assignment for Thursday's class in the Purple Computer Lab, Healey UL, are now posted on the assignments page.  If you did not have a chance to check in with your group at the end of class to decide on one of our readings to write about together, please email the other members of your group.

2/24  The  assignment for Tuesday is to read one of the additional pieces of nonfiction from the list posted for next week on the assignments page (or anything else you've come across and liked) and to write a 1 page vignette about observing something in your present experience of the world, with an added comment about how any of your reading for this unit is influencing the choices you are making as you begin to create your a piece of nonfiction about the world around you. Post as #7 and bring a print copy to read to the class.

**I apologize but I can't find the links to the two NYT (New York Times) pieces at the moment.  I'll keep looking and will post them to the resources page if I find them.

2/21  Good discussion today.  Thanks!  I wanted to point out that there is background information about most of our authors on the resource page.  Sometimes that biographical information can contribute to your understanding of the themes the writer is focusing on.

Reminder:  Shillue's "Good Craic" and more of Catfish for Thursday.

2/16 Some reminders:

If you haven't sent your revised memoir as an email attachment please do so.  We would like to be able to use an electronic comments function in Word.

You can post your final reflection on memoir writing as assignment #5.  If you've already posted it as a comment on your memoir, that's fine.

The assignment for Tuesday is posted on the assignments page.  It includes commenting brieflly as a reader on two other revised memoirs and reading three essays from In Fact and posting a 1 page response on one. Please be sure to bring your book to class.

 

2/14  Happy Valentine's Day! 

Thanks to all of you for doing such serious and constructive responding in your peer response groups today. 

A quick reminder of the assignment for Thursday:

1.  Revise your memoir, drawing on the suggestions of your peer group.

2. Try out a substantially different strategy for some aspect of the memoir (beginning, ordering, voice, ending).  Attach this to the revised memoir (or, if you use it, attach your original) 

3. Write a reflection of at least 1 page of further reflection your process, inquiry, choices and considering how you used (or why you didn’t use) the feedback you received from your readers. If you did not quote from EL Ch 3/Karen or Hampl in your reflection from assignment 3, please draw on several quotations from those sources now.

I've posted the grading rubric to the assignment page.  Don't go to it until you've completed a full revision of your memoir (so that your focus will be on your writing, not on our grading).  But you can use it as a checklist at the end.

 

Email your revised memoir as an attachment in Word, and post it to the website as assignment 4. Post your further reflection as assignment 5.    On Thursday, pass in a hard copy along with your original draft, and peer comments.

We will discuss Catfish and Mandala up to page 30 on Thursday.  There's no written assignment for this reading.

2/9  Here are the examples of different approaches to technique and meaning that I found in your vignettes, the ones we didn't get to in class.  The yellow chart of elements is posted on the assignments page.  (Examples from vignettes.)

Monday 2/6

The link to Karen's memoir and Chapter 3 of Exploring Literacy can be found on the Resources page of this website. .  I apologize to those who had trouble finding it.  I thought I had posted it earlier.

From Thursday's discussion, here are a few points that we might want to add to our chart of elements of memoirs n thinking about

technique:  development of characters; description of setting,; choice of specific, powerful words, choice of first or third person, movement in space or time, creating specific scenes, backgrounding/foregrounding, title

meaning:  significance to self and others might include social criticism, understanding a common experience, exploring the effect of environment on identity or behavior;  meanings are also created by bringing together specific and general, inviting readers to draw larger points from the recounting of a specific experience.

Thursday 2/2 

After today's too brief but lively discussion, I decided we needed to have a discussion space on this website where we can continue the discussions we begin in class or contribute observations on other lifewriting related topics that we're thinking about.  You can use the link below class portfolio to enter the discussion board and post a topic or respond to one that has been posted.

Today's discussion was a good one for identifying many more points we should discuss under the "other" category for the next assignment.  I'll try to post a summary in this space by sometime tomorrow.

 

Tuesday 1/31

Thank you all for an constructive session in the computer lab.  If you didn't have a chance to comment on the writing of at least 3 other students, you may do so from home.  Please choose first any students who don't have a comment posted on their vignettes.

Email me if you have any problems.

The memoirs the class selected to discuss on Thursday are

Avicolli,"He Defines You Still:  Memoirs of a Sissy"

Rose, "I Just Wanna Be Average"

The assignment for Thursday is posted on the assignments page under Week 2.  You should read both memoirs but choose one to respond to, following the suggestions on that page.

Our work in the Computer Lab for 1/31

 

Go to the writing room icon.  Enter the writing room using the first part of your email address (before the @) as your username and the last 4 digits of your student ID as your password. 

1.  Post your vignette as Assignment 1, and give your vignette a title.

2.  With a partner, go to the student profiles link on the home page and read others’ vignettes (3-5), beginning with the one posted below the name of the member of your team whose name comes first in the alphabet, and post a comment of about a paragraph.

You might include comments on:

                  What you found interesting, involving as a reader

                  What you’d like to know more about

                  What themes are implicit here that might be developed further.

3.  Read the comments that others have made about your vignette.  Post, as a comment on your vignette, the reflections you wrote, along with any new thoughts that you have after reading others’ writing.  (You may finish this outside of class if you run out of time.)

The help icon offers more information about posting work in the writing room.